Some tips to get the most out of your tintype session
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I offer two different kinds of sessions — private studio sessions and open studio days
Private Studio Sessions
These sessions are longer and give us more creative time to curate, stage, light, and compose a scene
Plan for one hour or more
Additionally tintypes can easily be created
Sometimes we will need to create a test plate
Open Studio Days & Pop-ups
These sessions are offered at a discounted rate to make the art of tintype accessible to everyone
10-20 minute sessions
Due to time constraints, lighting and poses are limited
These events involve making 30-60 tintypes in a day — I’m usually punctual about my appointments but delays can occur
Arrive on time! Especially for open studio days and pop-ups where the sessions are only 10-20 minutes
Each tintype is made by hand and takes about 10 minutes to make, shoot, and develop — all before it dries out
Your portrait session will involve
A discussion about what kind of portrait we want to make
Posing and holding still in front of the camera — don’t worry, I’ll give you lots of direction
Capturing the image involves a brief but intense flash of light
After a quick stop in the darkroom you’ll get to see the tintype develop in front of your eyes
BASIC TINTYPE SESSION INFO
Ask as many questions and take as many photos and videos as you’d like
Each tintype has to be varnished for archival preservation — they can be picked up at a later date or shipped to you for $5 — usually available in 2 weeks
Tintypes can be really difficult to photograph — digital files are available to purchase for $25 per tintype, including a high resolution scan and a video of the development process
Additional plates shot during the session are available for purchase at $100 each
Prints are available to purchase
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WARNING: Eye glasses often come out as sunglasses on Tintypes
Contact lenses can also tint your eyes a darker shade — wear at your discretion
Avoid large lettering on clothes like graphic tees — the image is mirrored and can be distracting
All black or all white won’t show up that well but when used sparingly can look stunning
Chunky textures and patterns work well — much of the photo will be out of focus
Necklines are a good detail to focus on —layering or flowy fabrics are good options
Most importantly is to dress how you want to represent yourself in the image
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WARNING: Avoid wearing foundation it can appear much lighter than your skin tone on tintype
Hats are fun, but not necessary — we can wok with any size or stye hat
Same with jewelry and makeup. Less is more. Think of the ensemble as a whole rather than itemizing
Too much hair the around the face and neck can cast a lot of dark, high contrast shadows
Updos are my personal favorite and look really nice on tintype
Hair & Makeup Artists can be available for longer session — message me about stylist recommendations and pricing
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Think about how you want to pose for your portrait. You’ll have to hold the pose VERY still for a few moments so consider stable poses rather than dynamic ones.
Know your angles. What side of your face do you prefer?
From what angle do you like the looker to view your face? From above? From below?
Portray a personality or character. Or embody your professional identity, romantic identity, or you’re-traveling-to-a-posh-destination-to-meet-up-with-some-fabulous-fiends identity.
It’s usually only upper body so don’t stress too much on shoes or pants.
Hands can be fun to incorporate but hand modeling is much harder than people give it credit.
MOST IMPORTANTLY
Think about your expression. Be deliberate. You will have to hold the pose for a few moments. Again think static instead of dynamic. Gaze into the eyes of the camera. Or consider what direction you want to look.
Smiles are nice but can look inauthentic when held for too long.
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Tintypes are a historic, handmade, photographic print and the medium is inherently flawed. I do my best to make a great picture within the time available. Ruined images will be reshot for free. All other reshoots are available for half-price.
Still Have Questions?
Please feel free to text, call, email, or DM me if you have any questions or concerns. I see these as collaborative pieces where we work together on a collective vision
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